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, by Claire Lombardo
Download Ebook , by Claire Lombardo
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Produktinformation
Format: Kindle Ausgabe
Dateigröße: 3426 KB
Seitenzahl der Print-Ausgabe: 544 Seiten
Verlag: Weidenfeld & Nicolson (25. Juni 2019)
Verkauf durch: Amazon Media EU S.Ã r.l.
Sprache: Englisch
ASIN: B07K26C9WK
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Amazon Bestseller-Rang:
#26.191 Bezahlt in Kindle-Shop (Siehe Top 100 Bezahlt in Kindle-Shop)
I purchased this book based on the reviews and I am sorry to say that I wish I had waited for a copy from the library instead of spending my money on it. I realize that I am in the minority here amongst the 5 star reviews but this book just isn't doing anything for me. I am up to the beginning part entitled Fall. I am already tired of the constant drama between the sisters and their negativity toward one another. So far there is not one moment of happiness or brightness in this book and I feel like I am slogging through to finish it. These four sisters are beyond dysfunctional to the point of unbelief. That aside, my biggest complaint is the language. Having read tons of books in my lifetime I consider myself pretty resilient to reading (and casting aside) the use of foul language and sex scenes but this novel takes the use of the F word way too far with it being used on practically every page and many times on a single page or two. I don't see any advantage to the continual use of such a derogatory word. If anything it is taking away from the book. I will finish reading it but I certainly won't be recommending it to anyone.
This book is a beast. I felt like I had read a thousand pages and was only 10% in. That being said, I found it annoying, over worked and fraught with too much detail to be interesting. The language was over the top and felt like it was overcompensating for annoying characters. This book easily could have been 200 pages shorter, and likely much more interesting. I skipped about 60% of the book and don’t feel I missed anything. When I jumped back in at the end, I found myself simultaneously asking “what’s the point†and being relieved that it was done. Wouldn’t recommend this book to anyone.
Diving into a 550-page novel – as opposed to, say, a 300-page novel – is the difference between a dalliance and a full-blown commitment. You have to really like these characters to spend time in their lives and inside their heads for days at a time. It may not be the most fun you’ve ever , but it has to be darn close.So let’s start here: I liked the Sorenson family. I liked its messiness, quirkiness, heartaches and triumphs. And I didn’t regret one single hour that I was immersed in their world.Marilyn and David are the fortunate couple who quickly intuit that they’re right for each other and present a portraiture of stability and passion throughout the years. Their four daughters must continually strive to replicate that kind of love in their own lives and each of them has her own challenges to overcome. The oldest, Wendy, leaps out from the pages with her oversized personality and wry comments. Her “Irish twin†Violet is far more traditional and yoked to pursuing perfection in all she does. Then there’s Liza, a psychologist married to a depressed and tattoo sleeved software developer, and the youngest, Grace, who finds herself being left out of the sisterhood due to her “last child†standing.The relationship among the four sisters pulses with authenticity. Claire Lombardo writes, “The only portrait you could ever get really of one sister from another, tinged inevitably with jealousy and double standards and affection as deep and intractable as marrow.†When Jonah, the love child of one of the sisters is suddenly thrust into their lives, some of the fault lines are widened. All the tumultuous elements that come part and parcel of being a family are here – the secrets, the illnesses, the childrearing, the unexpected happenings that knock down carefully planned lives.I did have a few quibbles. The characters sometimes talk in staccato to a fault. (Example: “Hey honey, is Ryan_Has he…†or But they really—You’d be surprised how they grow on you.â€) It’s authentic, yes, but also overdone. There were some parts that were a stretch (why would daughter Liza choose a chronically depressed partner who gave her little emotionally?) But these are, indeed, quibbles. Claire Lombardo has the writing chops and her book is page-turning.
Lombardo’s character-driven, eventful, tumultuous, witty, serious, gregarious, tragic, and infectious domestic dramady of a big Chicago family kept me fastened to the pages of this big, buoyant book. Yes, it is a tome, but once you are installed in the story, it pulls you naturally along. I cared and cringed and chuckled and cried with each of the four sisters and their parents (and then there’s the third gen of kids). Each character was individualized and any one of them could have leaped off the pages. How they lived and loved became all-important to me as I folded myself into their days and years. They crept into my heart; it was like being a member of their family.Marilyn Connelly and David Sorensen met in the mid-70s during their undergrad days in Chicago and knew instinctively that they were meant to be husband and wife. David became a family physician, and Marilyn left university when she got pregnant. The novel covers 40 years of their lives, as their family grew large with four daughters--Wendy, Violet, Liza, and the baby, Grace--fifteen years younger than Wendy. Violet and Wendy are a year apart--Irish twins, the sisters who were the closest and developed a love-hate relationship. Liza was considered the middle child, and Grace was born (on purpose, but everyone thought she was their Catholic accident) in 1993. The current year is 2016, but the novel moves back and forth in time, mounting little mysteries and hints and integrating interlocking narratives. Everyone has a storyline, independently and collectively. And that includes the loose cannon, Jonah, given up for adoption by Violet as an infant and, at age 15, has resurfaced, to Violet’s dismay.Wendy, the guarded, troubled, and most irreverent, sustains the lion’s share of tragedies. She keeps the wine close at hand and others at arm’s length, and is most combative with Violet. Violet has control issues, and has difficulty taking risks; she resists interference in her perfectly chiseled life with her husband and two young sons. Liza, now pregnant and a successful professor, has a severely depressed boyfriend who alternately sobs and sleeps. Gracie, after graduating from Reed, in Portland, subsists in a boring job and tells an ever-ripening fiction to her family. She’s confined her options and widened her lies.“Nobody was who they appeared to be; everyone was struggling; money didn’t make a difference…†And, as Gracie believes, “No one…would ever regard her with the same enthusiastic awe as her mother; the same feverish pride as her father.†As the story evolves, it is clear that the author created a prism for everyone’s fractured perceptions, revolving memories, missed opportunities, and mixed blessings. The shifting impressions and vacillating notions circle around and veer in sloping lines, caterwauling, twisting, tipping and turning.Colleagues, outsiders, and even their children assume that David and Marilyn’s love together is effortless perfection. Nobody would truly comprehend their nuanced history and complexity, the intimacy of joining together before they could ever be alone. But they agree--it's the most fun they ever had. And each child has a shared and personal history that we glimpse through a window or gaze through a curtain. Resounding, the spirit of the narrative stirs with fractious dialogue and unfiltered warmth. It was difficult to leave this family at the close of the story.
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