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, by Mikhail Bulgakov
Download Ebook , by Mikhail Bulgakov
Derzeit bestehende! Eine Publikation, die sicherlich fantastische Einflüsse für Sie anbieten! Eine Veröffentlichung hat gute Geschäfte mit dem Tag-zu-Tag-Zustand um. Dieses Buch ist ein Buch, das tatsächlich wurde von einem erfahrenen Autor entwickelt hat. Für das Ergebnis hat der Autor wirklich tolle Sache in den Zuschauern bringen. Es schafft der Titel dieser Veröffentlichung auch so faszinierend ist. , By Mikhail Bulgakov ist diese Veröffentlichung Titel.
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Über diese Veröffentlichung, müssen Sie möglicherweise nicht betont werden, erhalten als Material zu überprüfen. Diese Publikation zeigt, wie Sie können lesen zu mögen beginnen. Diese Publikation zeigt Ihnen genau, wie die Moderne das Leben beenden wird. Es wird sicherlich auch zeigen, dass die Veröffentlichung unterhaltsam wird auch gültig Publikation, die davon abhängen, wie der Schreiber informiert und äußert auch die Bedeutung für die Besucher. Basierend auf diesem Beispiel jetzt müssen Sie wählen , By Mikhail Bulgakov als eine Ihrer Sammlungen zu lesen. das ist für Ihr Lesematerial wieder.
Produktinformation
Format: Kindle Ausgabe
Dateigröße: 807 KB
Seitenzahl der Print-Ausgabe: 410 Seiten
Verlag: Picador (30. Mai 2019)
Verkauf durch: Amazon Media EU S.Ã r.l.
Sprache: Englisch
ASIN: B07FM5KQPS
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Durchschnittliche Kundenbewertung:
4.1 von 5 Sternen
70 Kundenrezensionen
Amazon Bestseller-Rang:
#248.226 Bezahlt in Kindle-Shop (Siehe Top 100 Bezahlt in Kindle-Shop)
Es ist eine Frage des Geschmacks und ich kann nur sagen, dass mir das Phantasievoll-Fantastische nicht so liegt. Überaus lesenswert fand ich allerdings die Kapitel über Pontius Pilatus, in der eine vollkomme andere Sicht der Leidensgeschichte Christi dargeboten wird. Für Fromme ein Horror, für Zweifler eine Wohltat.
Das Buch gehört auf jedenfall zu den Büchern die man in seinem Leben gelesen haben muss, und die englische Ausgabe gefällt mir sehr
Mikhail Bulgakov ingeniously and brilliantly managed to twist satire, reality, mysticism and history. This is my favorite book ever. Highly recommend it.
This was by far the most challenging book I have ever read. Ever. It was recommended to me by a friend and it is on the list of "100 books you should read before you die".This book as a cult following - a serious one. Bulgakov was a famous Russian writer but he died before his book ever got published. He lived in the early 1900's and died in 1940, but with Russia at war - and what he printed would have put him in jail for sure - it never saw the light of day until the 1960s.I have never read a Russian novel before and this one was hard. VERY hard. Thank goodness it had a commentary section in the back of the book that broke out some of meanings of the Russian words. That helps a great deal. But it still took me over 2 weeks to read its 335 pages because I could only do one or two chapters a night before I needed to take a break.If you are looking to challenge yourself this year - I suggest reading The Master and Margarita. The premise of the book is.......all over the place. Really - it is the story of how Satan visits Moscow and how he wreaks havoc on a group of writers who were atheist. They don't believe in God or Satan, and this doesn't make Satan very happy.The Master (whose real name we never learn) is a writer. He doesn't actually enter the novel himself until about 1/3 of the way through the book. Bulgakov died before the book went to print, and people speculate that he might have called it something else had he lived to see it printed. The Master is writing a story about Pontius Pilate and his crucifixion of Yeshua - who the reader believes is Jesus. But this is never told. This manuscript of the Master is intertwined between the "present" story of these writers in Moscow and what happens to them if they cross Woland (who is Satan - but again, not really said). Margarita is The Master's love of his life. She is a beautiful woman who leaves her husband to be with the Master and encourage him to write his story of Pontius Pilate.Is your head spinning yet?The writer lived in a very tumultuous Russia. The 1930s in the Soviet Union were very unsafe - especially when it came to writing. There is a line in the back of the book that says "All of Bulgakov's literary energy and creative will were concentrated on proving something that his enviornment contradicted: that manuscripts don't burn, that art outlasts the tyrants, that entropy doesn't triumph over the creative spirit."I can't give you much more because this book goes is so many directions that it would be impossible to really give you a feel for it. I do suggest you reading it. I would give it 4 stars, and hope that someday to read it again to see what I missed and to better understand it.
This extraordinary and unique book opens in 1930s Moscow during the darkest period of Stalin's repressive reign. Near Patriarch Ponds, two writers sit on a bench engaged in a discussion regarding the nature of Jesus. True to their times, both writers devoutly discount his existence. As their discourse continues, they are joined by a third man, a well-dressed stranger who claims not only to believe in the existence of the historical Jesus, but to have actually been present at Jesus's trial and crucifixion. Unbeknownst to the two writers, this stranger is none other than Satan, himself, who is now calling himself Woland. The next chapter takes us to Yershalaim (Jerusalem) and Pontius Pilate's interrogation of Yeshua Ha-Nozri (Jesus). Much to Pilate's dismay, Yeshua freely admits to all of the charges brought against him. Pilate, although finding himself captivated by Yeshua and desiring to free him, has no choice but to order his execution instead. Yeshua is sentenced to death and crucified and Pilate grows more and more disturbed. Back in Moscow, things have taken a bizarre turn. When Woland's prediction of the death of the writer Berlioz turns out to be true, another writer, Ivan the Homeless is unceremoniously carted off to an asylum and the esteemed Dr. Stravinsky. As heads roll and people are driven mad, Ivan meets his neighbor in the asylum, one known only as The Master. The Master, also a writer, has been working on a novel centering on Pontius Pilate and the story, not coincidentally, is more than similar to Woland's eyewitness version. Ivan also learns of The Master's love for the beautiful Margarita with whom he shared both an apartment and an affair until the rejection of his novel drove him insane. Margarita, meanwhile, is living in a loveless marriage and spends her days pining away for her lost Master, knowing nothing of his whereabouts. The story then moves back to Yershalaim and Pilate's struggle to come to terms with the death of Yeshua. He is visited by Matthew Levi and subsequently orders the death of Judas of Kiriath (Judas Iscariot) for his betryal of Yeshua. Moving back to Moscow again, we learn the reason for Woland's visit. He wants to give a Grand Ball and is in search of a hostess--a hostess named Margarita. Margarita instantly agrees and the Grand Ball proceeds, apparently lasting for hours and hours with the guests having been chosen from among the most sinful and corrupt of all the deceased. With the dawning of the new day, Woland, who is pleased with Margarita's performance, tells her he will grant her her fondest wish. Of course, that wish is to be reunited with The Master. How this request is accomplished is one of the most extremely inventive passages in all of literature and involves not only Woland, but his wily accomplices (Azazello and Behemoth), Matthew Levi and Pilate, himself. Suffice it to say, all turns out well for all intended and The Master and Margarita eventually come to reside together for all time. In The Master and Margarita, Bulgakov has created, not only a technical masterpiece of flawless writing, but also one of immense creativity, making use of innuendo, iconography, metaphor and satire. This is a multi-layed book, encompassing many themes, drawn with a painstaking commitment to detail. Although, at first glance, the two concurrently running stories seem to bear no relation to each other, a closer examination shows us just how creative Bulgalov was and how great was his genius. As the story of Yeshua and The Master are occurring nearly two thousand years apart, it would seem, on the surface, impossible to link them. Bulgakov, however, forgets this span of years and tells the story by the day and the hour instead. As the Easter weekend unfolds, so do his stories, just as though they were occurring each at the same time but in different locations. Bulgakov did not intend for the story of Yeshua to be of historical significance. Instead, it is used as a device to further the satire of Stalinist Russia. For it is within the social and political issues of Stalinist Russia that the true basis of this work is grounded. Banned until the 1960s (and then embraced) the story of The Master is a veiled belief of Bulgakov's in the importance of his own work. However, one does not need a knowledge of Russia or Russian politics to enjoy this extraordinary book. It is an entertaining read in its own right. If one understands the subtext, it is all the more enjoyable. The Master and Margarita represents one of the greatest literary works of the twentieth century and one that has certainly never been equalled. Anyone who is serious about literature absolutely cannot afford to pass this up.
Anyone with even a remote interest in great fiction should definitely read this book. Banned in the Soviet Union for many years, it is the author's masterpiece.When Satan arrives in Moscow with an entourage including a talking cat that walks upright and a faithful "translator," anyone standing in this bizarre threesome's path is swiftly dealt with-usually via a trip to a famed Moscow mental health institution.Satan is used to represent of the "official" Soviet view of foreigners--suspicious, evil and not to be trusted. The tyranny of Soviet life is also well documented through the character's offbeat adventures and actions. Through the main character, the poet Homeless, as well as the elusive Master, writers as represented as an oppressed society in Soviet life. This is a clear political statement of the author's and adds to the controversy of the book.Although politics are usually the subject of mockery and satire, this book is highly unique and certainly not to be missed. New insights into a dark period of Soviet history will be gained in a delightful and entertaining way.
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